Starryear年
ImageS.035 Year Stage · Starryear
Turn a photograph into a vertical paper-art stage poster with a projection of the subject integrated into the scene. People, plants, buildings, patterns, or other key forms from the photo naturally extend across paper curtains, a paper floor, and layered scenery to create a visually deep world. The work uses the original subject, colors, composition, spatial relationships, and lighting to generate an organically growing paper stage structure, rather than simply applying a photo frame or collage-card layout. The paper curtains, background, and stage floor connect with one another, while the folds, thickness, and occlusion of handmade paper create a convincing sense of depth. The projection derived from the photo becomes a key focal point, using side or backlighting to create dramatic light and shadow. It stretches across the paper floor and scene edges, reinforcing the sense of scale and stage atmosphere. Ideal for transforming documentary photography, travel photos, portraits, nature imagery, or scenes with distinctive textures into photographic posters with a paper-art texture and narrative quality. The default output is one complete vertical 3:4 poster that preserves the original subject’s identity and key visual facts, and typically adds no text, watermark, or decorative elements without a source in the image.
ImageS.030 | Year · Starryear
Transforms the real subject in a photograph into a monumental Chinese ink-wash artwork. Whether it is a plant, animal, person, object, building, or natural landscape, the image preserves enough of the subject’s recognizable outline, structure, and defining features to maintain its connection to the original photo even at an enlarged scale, rather than applying a fixed landscape or giant-tree template. The artwork uses a vertical composition. Xuan paper texture, layered ink, broken ink, dry-brush strokes, and natural water marks create the subject’s volume and depth, while one extremely small person provides a sense of scale. The figure forms a credible relationship with the ground, shadows, and surrounding environment, helping viewers feel the subject’s overwhelming size without taking attention away from it. Moderate negative space and lightly washed ink areas are preserved, while the background is used only to support the subject and the scale-based narrative. Ideal for transforming travel photos, documentary photography, pet photos, portraits, or photos of everyday objects into visual works with an Eastern character. The final output is a clean, complete ink-wash image without text, titles, signatures, logos, QR codes, borders, or collages. It prioritizes the subject’s recognizability, the number of people, and the layered quality of the ink brushwork.
Image【S.028】 Starryear Ring Paper
Turn a photograph into a distinctive 3:4 vertical ring-paper poster. The work preserves the original subject, compositional relationships, natural light, and recognizable setting, while ring structures grow from the subject’s contours, direction, curves, and colors. These structures relate to the image, allowing photography and graphics to coexist naturally in the same visual space rather than simply adding decorative elements. The poster uses restrained paper and print textures, which may incorporate fibers, dry-brush marks, woodcut grain, and subtle color-registration variations, while preserving key details and clear contours. The rings adapt to each photograph’s content and extend into the photo’s edges and negative space, creating a cohesive visual rhythm. It works well for photographs of flowers, plants, architecture, textures, people, and subjects with a strong sense of direction or repeating structures. The final output is a complete finished piece, with text used only as a concise, secondary title or annotation.
ImageS.029 Starryear: Line Fields
A striking grating-style prompt series. When familiar things are compressed into black-and-white lines with a touch of color, they seem to suddenly develop a gravitational field of their own. I tried adding mathematical geometry, and everything familiar instantly felt much more refined. I add thousands of lines to a photo, then make them glow softly. The lines flow, converge, and sink along the contours of the subject.
ImageS.026 · Paper Figures
Extend a photo of a person, animal, plant, building, object, or landscape into a vertical 2:3 story illustration blending photography and hand drawing. The work preserves the subject’s identity, key details, and original character, allowing its real contours, textures, colors, and spatial relationships to naturally grow into fine-line drawings on warm ivory paper—not a frame, filter, or collage effect. The photo and line art connect within the same scene to form a complete, cohesive visual world. You can also provide a theme or story direction, allowing paths, branches, buildings, props, people, or animals to unfold around the subject and interact with it meaningfully through touching, supporting, passing through, repairing, protecting, and more. Delicate dark brown or charcoal lines, restrained stippling and hatching, and accent colors drawn from the original photo work together to create a controlled yet narrative paper atmosphere. Ideal for photo-and-drawing composites, picture-book-style portraits, animal and nature stories, extended travel landscapes, and visually memorable works with a strong theme. The final output is a finished illustration with a clear subject, balanced composition, and edges that blend naturally into the whole scene.
Image【S.025】Year · Deconstructed | Photo Skill · Starryear
Transform a single photo into a unified-tone triptych that deconstructs its source subject, suited to architecture, sculptures, natural landscapes, objects, and other subjects with distinctive contours and material qualities. The final piece uses a 16:27 vertical canvas composed of three equal-sized horizontal panels joined vertically, with a default output of 1920×3240 pixels and no added text, borders, or decorative elements. The top panel captures the moment the subject bursts outward from a clearly defined point of force, forming an orderly explosive deconstruction through separated primary fragments, a shared direction of motion, and ample negative space. The middle panel preserves a centered 16:9 crop of the input photo, serving as the only original color reference in the composition. The bottom panel develops the forms and environment in the photo into a more intense, source-specific surreal spatial echo, continuing the deconstruction with a different center of gravity, viewpoint, and motion relationship from the top panel. Changes in materials, environment, and space across the top and bottom panels remain traceable to the original photo while avoiding the addition of unrelated subjects. All three panels maintain continuity in white balance, dominant colors, saturation, tonal contrast, and overall brightness, allowing the creative transformations to connect naturally with the original image’s color identity. Suitable for visual posters, art imagery, and serialized creative work that calls for a narrative of “photographic original + explosive deconstruction + surreal afterecho.”
S.027 Starryear Spirit Photos
Extend a photo into a narrative paper-based surreal line-art artwork: preserve the realistic texture and recognizability of the photographic subject, while allowing the natural forms at its edges to continue growing as delicate hand-drawn lines, transforming into a strange visual event born from the original scene. Suitable for photographic subjects with distinctive shapes and textures, such as flowers, plants, stones, water, and clouds, creating connected 2:3 portrait art images that blend photography and line drawing. The image adds 8–12 original non-human nature spirits derived from the source material around the photo. Their soft glow, slightly asymmetrical silhouettes, and lively small gestures bring warmth, curiosity, and quirky charm. They are distributed at varied intervals, taking part in the main surreal scene while preserving an open, asymmetrical composition with generous negative space, so they do not overpower the subject. The overall style uses warm neutral paper, fine pen lines, restrained shadows, and a small amount of color echoed from the photo. It is suited to photography-based art, paper fantasy illustrations, and handcrafted-looking visual pieces. The image will not be turned into an ordinary filter, a top-and-bottom split layout, a miniature crowd portrait, or a decorative collage unrelated to the photo.
ImageS.024 Starryear Photo Doodle
[Featured] Starryear Photography Skill Collection Turn an ordinary photo into a top-and-bottom composition that combines the documentary feel of the original image with the playful charm of a child’s doodles: the original image is fully preserved above, while the same photographic scene below is layered with crooked little sketches inspired by the photo’s subject, scribbled circles, crossed lines, overdrawn strokes, and localized blobs of ink—like a child casually testing a paintbrush. The person’s pose, spatial structure, and scene remain recognizable, while the lines retain the uneven proportions, repeated corrections, and irregular density of a hand-drawn style. Whether the source is a black-and-white or color photo, it preserves the original tones and photographic foundation instead of turning the entire image into an illustration. It also avoids adding unrelated stickers, text, or decorations. Use it to create childlike photo doodles, original-image collages with loose lines, thematic hand-drawn annotations, and experimental visuals for social sharing—especially when you want to preserve a realistic photo while adding a spontaneous, awkward, and thematically connected artistic line effect.
Image【S.023】Starryear 3D Photo
Turn a real-life photo into a vertical “memory nine-grid” artwork that combines documentary grounding with a surreal sense of space. The upper section preserves the original photo as a centered square evidence frame, while the lower section expands into a complete three-dimensional nine-grid world. The people, objects, actions, color relationships, and environmental cues from the photo are rearranged across the nine panels to create a coherent spatial paradox with a photographic feel—not an ordinary filter or a simple crop-and-paste collage. The main subject is enlarged in the lower grid as the primary visual focus, clearly preserving the person’s face, pose, or key objects while crossing adjacent panels and dividing lines. Occlusion between foreground and background, perspective, depth, and natural shadows create a convincing sense of three-dimensional layering. Each panel retains a source-photo-driven surreal transformation while sharing the same spatial logic, allowing close-up details, broad views, and negative space to form one cohesive scene. The final output is a vertical PNG with no text or watermark. The upper and lower sections are harmonized through consistent white balance, color temperature, brightness, contrast, and saturation, allowing the original photo and reconstructed scene below to blend naturally at the transition. Suitable for surreal photography, photo memory art, visual storytelling with people, and creative imagery with a collectible feel.
Image【S.022】Starryear · Photo
【Featured】Starryear featured photography Skill Extend a real photo into a 2:3 vertical “photo × line art” narrative poster: preserve the subject, lighting, colors, and spatial cues in the photo, while allowing one real form to naturally cross the middle of the frame and develop into a uniquely functional line-art world on warm white paper. The photo and hand-drawn section are not simply spliced together; continuous contours, materials, and shadows create a visual extension that can be entered, walked through, or activated. The lower section centers on the main transformation, adding a few thematic details drawn from the original photo and placing a small faceless figure rendered in pen lines within it. The figure has a clear action relationship with the line-art scene, strengthening the sense of scale and narrative. Depending on the photo’s atmosphere, subtle star-like points or glimmers may be carefully incorporated, but no fixed starry-sky, flower, or architectural template is applied. Brief handwritten English annotations add a light editorial touch. Ideal for scene-extending line-art posters, photo-and-illustration fusion posters, photographic art narrative posters, and visual works that bring a touch of fantasy to real scenes. The goal is to keep the photo believable, make the line-art world bold enough, and maintain a clear central focus and coherent material transitions both at thumbnail size and up close.
Image[S.021] Starryear Milk Frog
Turn a photo into a unique surreal “milk frog avatar” scene, making the people, animals, or key objects in the image reappear as giant milk frogs with transformed poses, scale, and spatial relationships. The milk frog retains its rounded head, frog eyes, large belly, creamy belly markings, and smooth, soft-clay-like texture. At the same time, the image’s distinctive elements are naturally integrated into the head, body, or limbs, creating absurd forms that look as if they grew from the character itself rather than being simple decorations. By default, the result is a 9:16 vertical diptych: the complete original photo remains at the top as a visual reference, while the bottom presents a reconstructed scene dominated by the milk frog. The image carries forward recognizable poses, silhouettes, colors, decorations, and environmental cues from the original, while exaggerated scale creates a monumental visual impact. Original materials remain primarily in the environment and scene, while the milk frog itself retains a soft, rounded, clean surface. This is ideal for transforming travel photos, personal styles, statues, buildings, plants, or everyday objects into absurd yet clear visual works.
ImageS.018 · Starryear Photo
Transform a source image with a clear subject, action, or scene relationship into a strict 16:27 portrait star-trail and star-point triptych. Rooted in the original image's story, subject identity, and color relationships, the top panel builds a surreal deep-space scene where interwoven year and moon tracks evolve from the source forms. The middle panel preserves the original image's recognizability as visual evidence, while the bottom panel gradually loosens the same scene into a restrained star-point line drawing, creating a continuous narrative from the concrete to the revealed. The top panel emphasizes the spatial layering, occlusion, and sense of scale created by the two tracks, allowing the orbits to actively shape the composition rather than simply adding a starry-sky filter. The bottom panel retains the subject's action and connection to its environment, using carefully balanced dots and lines to present another way of seeing. The middle panel uses only a natural crop of the source image, with no generative expansion, redrawing, or restoration, ensuring that the three panels vary visually without losing their original basis. Best suited to story-driven photography, people-and-object scenes, and source images with distinctive colors or forms that can be translated. Not intended for freeform illustration generation, photo restoration, or applying a fixed blue-purple cosmic template.
ImageS.019 Starryear Photo Skill
Turn a supplied photograph into a photographic triptych that combines a sense of evidence with surreal imagination. The work retains an original photo—only cropped and proportionally resized—as the middle panel, allowing viewers to compare it directly with the source. The upper and lower panels preserve the identity, colors, lighting, textures, and photographic qualities of the original subject while presenting two distinct scenes that appear realistically photographed yet break the laws of space or physics. The finished work emphasizes the visual credibility of real photography: materials, exposure, depth of field, lighting direction, and subtle optical qualities all remain consistent with the source photo, rather than becoming an illustration, painting, or generic cinematic image. The three images are neatly arranged in a borderless vertical composition, suitable for photographic experiments, surreal image-making, visual storytelling, and artistic presentations that retain the original image as evidence. The final output is one complete photographic surreal triptych, with no title, logo, watermark, or decorative text.
ImageS.015 · Starryear Diffusion
Turn a single photo into a complete 9:16 vertical artwork: the top preserves an ungraded and unretouched 16:9 crop strip from the original image as proof of its real source; the lower section reconstructs the same subject through a nocturnal diffused gradient, allowing viewers to first experience a broad, flowing field of color before recognizing identity cues from people, animals, plants, landscapes, architecture, products, or other subjects. The lower image is not a simple night filter, blurred photo, or redraw of the original composition. Instead, it starts from the original image’s subject, mood, key contours, and source colors to redesign scale, space, and material. A non-black nocturnal base of deep-sea blue, ink purple, blue-gray, night green, and similar tones combines with 3–5 asymmetrical, softly interpenetrating color fields to form an abstract space. The subject may be penetrated by light mist, obscured, suspended, melted, or transformed into a translucent structure, while retaining enough recognition anchors and thematic relationships. Suitable for creative work that preserves a photo’s source while seeking a surreal visual reconstruction, including portraits, animals, plants, landscapes, urban architecture, still lifes, vehicles, and machinery. The finished piece has no frame, title, logo, or watermark. The original image at the top connects naturally with the generated lower section, creating a softly glowing night atmosphere, low-detail continuous color fields, and breathable diffused gradients.
ImageS.011 YearGrid Starryear
Distill one photo into a complete 2:3 portrait four-panel abstract poster. While preserving evidence from the original photo, it explores different visual distances and emotional tones within the same scene. The finished piece follows the viewing order of “original evidence, enlarged abstraction, minimalist structure, and dreamlike afterimage”: key contours, spatial relationships, and color cues from the photo remain recognizable, while textures, light, reflections, or materials are reorganized into abstract expressions. This Skill is suited to four-photo layouts, four-panel grid posters, editorial-style visual work, and artistic reinterpretations based on a single photo. The three transformed panels share the original photo’s color relationships and visual DNA while clearly distinguishing enlarged details, sparse structures, and optical illusions—avoiding four duplicated filter treatments or an unrelated collage. The imagery emphasizes restrained textures, clear functional sections, and an overall balance that remains effective at thumbnail size. It works with photos of people, animals, architecture, nature, objects, and subjects with distinctive lighting or material qualities. The final output is a single, consistently proportioned portrait four-panel image ready for use, with no extra versions, borders, or unrelated decoration.
S.016 · Misaligned Film
【Premium】A premium Skill from the Starryear series Turn a single photo into a vertical surreal triptych: the original image remains in the center, while the scenes above and below extend from the people, objects, poses, colors, and spatial cues in the photo. The same subjects undergo absurd yet coherent changes in scale, support, or causality. Ideal for creating “original in the middle” misaligned cinema, photographic narratives, and visual concept art—not ordinary filters, collages, or fantasy images completely detached from the original photo. The center panel preserves the photo’s authentic texture, with only the necessary horizontal composition adjustments. The upper and lower panels use restrained cinematic scenes or pantomime-stage aesthetics with generous negative space, emphasizing one clear visual relationship. The lower panel echoes or completes the story established above. The final output is a borderless vertical triptych with equal-height upper and lower panels, presented in a 16:27 ratio—ideal for work with a sense of photographic evidence and absurdist narrative.
Image【S.005】Photo Ink · Starryear
Transform a single photo into a vertical artwork with tactile quality and narrative depth: the top preserves the source photo as real visual evidence, the middle presents a three-dimensional memory of the photo through lifted, curled, and layered warm ivory handmade paper, and the bottom releases a moist, translucent, diffused afterimage in colored ink. It is suited to creating Starryear ink, torn-paper photo ink, and three-dimensional turning-page ink works with the “original image above, flowing ink released below” structure. It is especially suitable for photos of people, animals, buildings, or landscapes where the original identity, number, direction, and spatial relationships need to remain intact. The finished piece emphasizes one complete vertical composition rather than a simple filter or evenly divided collage. The photo area remains clear and recognizable, while the paper layers carry the rhythm, contours, reflections, or negative space of the scene, using natural paper thickness, deckled fibers, overlaps, and soft shadows to create a convincing page-turning effect. The lower ink section uses a small number of related color families to show water-driven blooming, layered color, backflow, pooling, and seepage, creating a clear spatial transformation as the image moves between materials. The overall design centers on matte warm ivory paper and negative space, avoiding a second complete person, unrelated fantasy elements, decorative paper strips, imitation traditional Chinese painting, or overly saturated visual noise. The final output is a polished vertical artwork.
Image[S.012] Year Clone · Photo
Turn one photo into a borderless vertical triptych: the center preserves an unaltered crop of the original image as clear evidence of the scene, while the top and bottom each clone and invert a different subject from the photo. The result is a surreal image rooted in the original environment. The top panel can focus on a primary subject such as a person or animal, while the bottom panel works well with boats, buildings, railings, landmarks, or other clearly structured objects. Each generated area retains one recognizable subject at a clear scale, while allowing smaller inverted forms to blend into the foreground, background, water, rocks, roads, or building edges. The original scene’s lighting, perspective, occlusion, materials, and depth of field are maintained. Ideal for photographic collages with separately duplicated and inverted people and objects, source-photo-driven surreal triptychs, and visual experiments that preserve features such as landmarks, mountains, and skylines. The final output is a single vertical 2:3 image with no text, border, watermark, or decorative title.
ImageS.004 Starryear Monet Stamp
Turn a travel, landscape, architecture, street, or quiet documentary photo into a collectible-feeling vertical 2:3 “Starryear · Monet Stamp” travel archive artwork. The image preserves the real scene and color evidence from the photo, transforms recognizable subjects, structures, and visual cues into exclusive symbolic marks, and reimagines them as a new memory scene with Monet-inspired light and brushwork. Each photo gains a distinctive sense of place and visual narrative. The finished piece combines photographic evidence, symbolic marks distilled from the source image, and a “Monet memory,” paired with a narrow vintage-paper information panel and a circular postmark generated from the current photo. The location name is based only on what the user provides or what the photo can support, avoiding invented geographic details. The marks, palette, reconstructed composition, and scene identification also change with the original photo rather than applying a generic badge or fixed retro color scheme. Ideal for travel keepsake posters, destination visual archives, personal photography collections, and artistic photo works with a stamp-like feel. Each output is a complete finished piece that preserves the photo’s authenticity while giving it an independent symbolic quality and painterly memory of light and shadow. It is not intended for creating without an original photo, applying an ordinary Monet filter, or making generic decorative designs unrelated to the photo’s content.
ImageS.010 · Starryear Absurdist
Turn one photo into a vertical absurd triptych that uses the original image as visual evidence: the top panel presents a scale-shifted absurd scene, the middle preserves the original photo with a horizontal crop, and the bottom forms a return or causal loop from the same absurd relationship. The final image combines three equal-width landscape 16:9 panels vertically with no gaps, creating an exact 16:27 composition without borders, text, or watermarks. The generated top and bottom panels develop new relationships only from the people, animals, objects, actions, quantities, colors, and lighting in the photo. They preserve important identifying features and recognizable outlines, using a spacious, restrained real-world or puppet-theater aesthetic. The middle panel uses only the original photo pixels, with orientation correction, proportional scaling, and conservative cropping where necessary. It is not redrawn, retouched, or filled in, ensuring that it remains a reliable record of the original image. Ideal for vertical absurd triptychs with the original image in the middle, photo-based derivative art, and surreal posters with visual narratives. It is not intended for ordinary filters, unrelated fantasy scenes, dense collages, or layouts that redraw the middle evidence photo.
Image【S.008】Imprint
Fuse 2–5 photos into a complete 2:3 vertical visual brand poster, making the photographic content the main visual and extracting a compact, recognizable visual symbol from the photos themselves. Ideal for photographers, visual projects, art exhibitions, and brands that need a distinctive visual identity—for image branding, photography brand posters, and series covers. The work integrates multiple photos through asymmetrical composition, layered cropping, contour relationships, and negative space. It avoids ordinary collages or evenly divided panels, allowing different scenes to form one cohesive visual concept. The poster includes a simple English wordmark and a Brand Symbol related to the photos’ forms, colors, and structure. Together, they act as restrained identity signatures that connect naturally with the imagery rather than appearing as separate stacked logos or titles. The final output is a clean, presentation-ready poster suitable for display and sharing. It preserves the authentic characteristics of the photos while extracting the symbol’s primary colors and visual cues from the source images. Only the necessary English wordmark is retained—no Chinese text, explanatory copy, dates, or unnecessary decoration—making it suitable for creators who want to turn multiple images into a distinctive brand visual.
Image[S.007] Eye Eyes
Turn a single photo into a unique vertical “eye world” artwork: the original photo fills the entire canvas, preserving the subject, colors, and lighting, while the center contains a watercolor scene reimagined from the photo’s content. The photo and the painted world echo one another, making the embedded scene feel like an impossible space opening inside reality rather than a simple overlaid illustration. The central scene translates the objects, materials, and group relationships in the photo into hand-drawn living forms with pairs of little eyes. Recursive nesting, shifts in scale, deep corridors, and self-containing spaces create a cute, clear, quiet, and slightly eerie atmosphere. Lightweight, luminous watercolor and semi-transparent gouache textures keep the image airy, avoiding gore, darkness, muddiness, and unrelated elements. The final result is a flat vertical artwork suited for collecting, display, or visual experimentation.
ImageTriple Memory · Starryear
Turn a single user-uploaded photo into a triptych with continuous visual logic: the top panel draws the subject or core space inward, distilling it into an abstract form that is stable, concentrated, and still retains its identity; the middle panel preserves the real original photo as irreplaceable photographic evidence; the bottom panel releases the photo’s colors, contours, textures, and spatial relationships outward, creating a dispersed, transformed, and more surreal new setting. The final image reveals the difference between convergent and diffuse abstraction while allowing viewers to trace their connection to the original photo. This Skill works with single photos of people, animals, objects, architecture, interiors, or natural scenes. The abstract results develop from the photo’s own subject relationships, compositional direction, color relationships, and visual rhythm rather than applying fixed patterns, generic filters, or unrelated decorative styles. It pays particular attention to the number, identity, orientation, and proportions of subjects, as well as important spatial relationships, ensuring that the middle panel remains the original photo without replacement. You’ll receive a finished source-driven triptych, along with a brief summary of the key visual DNA used for the two abstract panels above and below, making it easier to understand which clues the convergent and diffuse treatments extracted from the original image.