Vehicle

Cinematic AI video prompt: A black, glossy, spiky alien/spider-like creature crawls on an autumn country road covered in fallen leaves. A Porsche crest badge lies on the asphalt nearby. The creature suddenly collapses into a shiny black liquid sphere, then spreads out flat into a star-shaped viscous form before rapidly morphing and assembling into the exposed chassis and engine of a sports car (visible suspension, engine, tires). It fully transforms into a glossy black widebody Porsche 911 GT3 RS with aggressive front bumper, hood vents, and large rear wing. Cut to the interior: a beautiful young woman with long light-brown hair and green eyes, wearing a sparkling red sequined cowl-neck dress, sits in the driver’s seat holding the steering wheel and smiling. Close-up of a single autumn leaf landing on the car’s hood vents. She shifts the gear selector into Drive, presses the accelerator with a black high heel, then looks toward the camera with a confident smile. Final shot: rear view of the black Porsche accelerating away down the tree-lined autumn road, big wing and glowing red light bar visible, kicking up leaves. Golden hour lighting, soft bokeh background of orange autumn trees, photorealistic, smooth liquid morphing transformation, high-end cinematic automotive commercial style, 4K, detailed, no text.

Creative video 30 second, Beautiful Korean girls, futuristic luxury electric sports car, cinematic night atmosphere, ultra-realistic visuals, premium sci-fi commercial style, 16:9 widescreen, dramatic lighting, 4K quality. Scene 1: Open with a sleek futuristic silver electric car parked inside a modern underground garage, with blue and purple neon lights reflecting across the polished wet floor. Scene 2: Show a beautiful Korean girl with long black hair, wearing an elegant black outfit, sitting confidently inside the car, illuminated by soft city lights through the window. Scene 3: Capture detailed close-up shots of the futuristic steering wheel, minimalist dashboard, glowing red interior lights, and the girl's hand controlling the vehicle. Scene 4: Cut to a dramatic front view of the car, its bright white LED headlights turning on as it slowly emerges from the dark garage. Scene 5: Show the car accelerating through a tunnel, with dynamic rear tracking shots, warm golden lights, realistic motion blur, and reflections across its metallic body. Scene 6: Transition to a nighttime rooftop above a modern city, where the futuristic car performs a powerful cinematic drift, creating thick clouds of realistic white tire smoke. Scene 7: Reveal a dramatic aerial shot of the car surrounded by city skyscrapers, with a futuristic flying vehicle passing overhead and red lights glowing through the mist. Scene 8: The car arrives at a glamorous nighttime event filled with beautiful Korean girls, stylish guests, colorful pink and purple smoke, sparkling lights, and an energetic luxury atmosphere. Scene 9: Finish with the Korean girl standing confidently beside the car as its futuristic door opens upward, followed by a handsome man approaching her and a cinematic rear view of the glowing red taillights. Maintain consistent car design, character identity, realistic human anatomy, natural movements, accurate vehicle physics, smooth cinematic transitions, detailed reflections, volumetric lighting, and premium commercial color grading. No distorted faces, no extra limbs, no random vehicle changes, no unwanted text, and no watermark.

[Priority Reference Image & Name Fixing] @ image1 = Description Name: Protagonist The protagonist's identity, face, hairstyle, body type, costume, accessories, equipment, and shoe appearance standards. Use only the names fixed above in the subsequent text. 15 seconds, 3:4 aspect ratio, photorealistic live-action, set over a bright blue sea during the day, continuous audio video. No scene cuts throughout the entire duration. Use character reference only for the protagonist's appearance; do not incorporate three-view diagrams, parallel displays, or text/sample layouts into the video. Maintain character identity, costumes, accessories, and physique throughout. No BGM, subtitles, captions, or logos. Characters: Protagonist, Crew A, Crew B, Crew C (4 total). A medium-sized civilian filming helicopter with a white fuselage and blue lines. Black skid landing gear, open wide side sliding door, external steps for boarding, dark gray interior. The helicopter maintains a constant altitude above the sea surface from start to finish. A coastline is visible in the distance, and a circular trampoline is placed on the sea surface far below. The protagonist stands on the external step outside the open door, looking at the distant trampoline below. Crew A stands near the door wearing a blue windbreaker, black life vest, and aviation communication headset. Crew B stands inside the aircraft near the door wearing an orange windbreaker, black life vest, and aviation communication headset. Crew C is deep inside the aircraft wearing a green windbreaker, black life vest, and aviation communication headset. All three crew members' faces are visible. The camera starts from the same filming position near the helicopter door, capturing the protagonist, three crew members, and the sea beyond the door with a slightly wide-angle lens. Do not change the camera's installation position; adjust its vertical orientation according to the fall and ascent. Wind noise and helicopter rotor sounds continue naturally throughout. 0.0–3.0s: Crew A looks at the protagonist and smiles, asking "Ready?" The protagonist turns their face to Crew A, nods, then looks directly into the camera lens, showing tension and excitement mixed with a smile, saying energetically in natural Japanese, "Okay, I'm going!" The visible mouth movements of both parties match their respective full dialogue. Crew B raises a fist lightly while smiling, and Crew C smiles happily, leaning out slightly and nodding. After speaking, the protagonist takes a deep breath, looks down at the circular trampoline, kicks off the external step, and jumps out. 3.0–6.2s: The moment the protagonist jumps out of the helicopter, Crew B shouts towards them, "Go!" The camera quickly turns downward while maintaining the filming position near the door, tracking the falling protagonist in the center of the frame. The protagonist extends their body as they fall, becoming smaller in the frame as the distance increases. The circular trampoline below becomes visible, and the protagonist approaches it aiming for the center. While the camera is pointed down, the three crew members are off-screen, but cheerful cheers can be heard from inside the aircraft. Rotor sounds and wind noises continue. 6.2–7.7s: The protagonist lands near the center of the circular trampoline on the sea surface. The stretched jumping surface sinks significantly under the protagonist's weight, then strongly pushes back immediately after the descent stops. The camera remains pointing down, showing the landing, the sinking of the jumping surface, and the reversal to upward momentum due to rebound in one continuous shot. Impact sounds of landing and rebound are audible. 7.7–11.6s: The protagonist bounces high towards the helicopter with the momentum of the rebound, pulling knees to chest to fold body small, spinning vigorously in mid-air. The camera adjusts upwards to match the rising protagonist from the same filming position. As the protagonist gets closer, they become larger in the frame, and the open door and external step become visible again. The protagonist rises rapidly all the way to just before the helicopter's external step, quickly unwinding the spin and extending legs at the moment of reaching the step, planting both feet firmly on the same external step they jumped from without hesitation. Upon landing, absorb shock with knees and immediately straighten upper body, returning to the same position, body orientation, and standing posture as at the beginning. Film the approach to the helicopter, unwinding of rotation, planting of both feet, and return to posture as a sharp, quick series of movements continuing seamlessly at normal speed. The helicopter's altitude above the sea surface does not change. 11.6–15.0s: The camera returns to the initial orientation around the door. Crew A claps smilingly towards the protagonist. Crew B joyfully thrusts a fist up and shouts briefly, "Yay--!" Crew C looks at the protagonist, smiles, and claps hands. The protagonist, breathing heavily, turns face to camera lens, eyes shining, speaking brightly and naturally with excitement and joy of safe return: "Oh wow! Oh wow, that was awesome!" Match mouth movements of Crew B and protagonist with their respective full dialogue during speech. Final frame: Protagonist standing on the same initial external step, finishing talking to camera with excited expression, behind them Crew A and Crew C are clapping, and Crew B is rejoicing. End at 15 seconds with crew clapping and rotor sounds continuing.

A 30-second cinematic video sequence: - Scene 1: An icebreaker ship navigates through a foggy, ice-covered Arctic ocean, with shots of a glowing radar screen and underwater flashlight beam. - Scene 2: Tense crew members watch as a colossal mechanical ice dragon with glowing blue eyes erupts from the frozen sea. - Scene 3: A giant robotic crab creature with glowing red lights emerges to face off against the ice dragon near the ship. - Scene 4: The ice dragon breathes a stream of freezing mist onto the giant crab, turning it to solid ice, and then shatters it with a powerful tail strike. - Scene 5: The remains sink into the deep blue water as jagged ice pillars suddenly erupt around the ship.

Created a video, 30 second, featuring a futuristic white supercar driving through heavy traffic on a modern highway in Seoul during golden hour. The video begins with a wide aerial shot of multiple cars, buses, and trucks moving along a busy elevated road, with a beautiful city skyline in the background and warm sunlight reflecting off the vehicles. The camera slowly moves closer to a sleek, futuristic white sports car with sharp aerodynamic lines, a low-profile body, and an aggressive modern design. Inside the car, a beautiful young Korean woman with long, straight black hair is driving calmly, wearing an elegant cream-colored outfit. Capture her natural facial expressions, realistic skin texture, and focused eyes as she holds the steering wheel with confidence. Show cinematic close-up shots of her face through the side window and a reflection of her face in the rearview mirror, creating a luxurious automotive commercial atmosphere. The camera then cuts to a detailed rear view of the white supercar, highlighting its distinctive red LED taillight strip, sculpted rear bodywork, and futuristic exhaust design. Suddenly, the car accelerates powerfully, releasing thick white smoke from the rear tires as it performs a dramatic high-speed maneuver between the surrounding vehicles. Capture the tires spinning, smoke spreading across the highway, and nearby cars slowing down as the supercar surges forward. The camera follows the vehicle from behind and then switches to a wide cinematic side angle as the futuristic car launches into an impossible airborne leap above the highway, soaring over the river with the city skyline glowing in the background. Transition to a sophisticated glass-walled luxury café overlooking the river, where two elegantly dressed people sit across from each other at a table with coffee cups, reacting with surprise as the flying supercar passes outside the enormous windows. Show the white sports car soaring above the city buildings before revealing a rooftop helipad on a modern skyscraper. The car lands smoothly on the rooftop, creating a spectacular futuristic cinematic moment. End with a close-up of the vehicle parked against the panoramic city skyline, its scissor-style door opening upward as the female driver begins to step out. Maintain consistent car design, character identity, hairstyle, and clothing throughout every scene. Use photorealistic CGI, ultra-detailed automotive textures, realistic reflections, volumetric smoke, natural golden-hour lighting, smooth camera movements, dynamic drone shots, dramatic tracking shots, and premium luxury-car commercial cinematography. Use a cinematic 16:9 aspect ratio, 24 fps, realistic motion blur, high dynamic range, and seamless transitions between scenes. The overall mood should feel luxurious, futuristic, thrill

make a thinklet that displays a new kind of animation born from SVG and three.js and webgl and other effects and graphical techniques merged into a new form of animation that you can invent right now and I want animated 4 pelicans riding a single bike on top of the new tesla roadster (look it up online images of it) as the roadster is hovering with its compressed air jets. Each pelican must be dressed different according to various cultures.

Create an educational video explaining the physics behind Tesla's new Roadster staying upside down on a 20-meter high curved track during its launch event, then launching off a ramp and flipping in mid-air to land. Use 3D animation to explain how under-car fans suck the car onto the track and how gas tanks and jets push it into the air. Answer these questions: Is it like a roller coaster due to speed? How long can it fly? How does it flip in the air? Can tires handle 0-60mph in 0.81 seconds? What are the uses beyond stunts? Use Opus 5.5 for 3D modeling and animation.

Funny video. Elon Musk and I are driving Teslas through the streets of New York.

Create a 20-second photorealistic video, vertical 9:16, following the action sequence of the original reference video. REFERENCE PRIORITY IMAGE 1 establishes the exact opening frame: hotel entrance, architecture, lighting, yellow Ferrari, open driver’s door, five security staff, and the main character’s starting position BEHIND the car, closer to the hotel entrance. IMAGE 2 defines the main character’s exact face, age, physique, hairstyle, clothing, accessories, and shoe length. If his details differ between the images, use IMAGE 2 for his appearance while preserving his position and perspective from IMAGE 1. MAIN CHARACTER The same short, athletic man, approximately 30 years old, in every frame. Preserve his curled mustache, enormous pale platinum hair puffs extending horizontally, teal patterned long coat and trousers, orange waistcoat, neck scarf, white socks, brown clutch, single wristwatch, and extremely elongated burgundy pointed shoes. His face, body proportions, hairstyle, outfit, and shoe length remain consistent. CAR AND LOCATION Preserve the corrected yellow Ferrari from IMAGE 1 exactly: body proportions, wheelbase, black roof, circular rear lights, wheels, rear diffuser, twin exhausts, interior, and conventional outward-opening driver’s door. Do not redesign, stretch, shorten, or deform the car. The hotel, red sculpture, background vehicles, pavement, and evening lighting remain consistent. ACTION TIMELINE 0–5 SECONDS — WALKING TOWARD THE CAR Start with the composition of IMAGE 1. The man is already walking away from the hotel entrance, several meters behind the stationary Ferrari. He approaches its rear with confident, slightly theatrical steps, then walks around the rear bumper toward the visible left-hand driver’s side. His elongated shoes move rigidly with his feet, clearing the pavement naturally without bending or sliding. The camera smoothly tracks his movement, gradually revealing his full body and the open driver’s doorway. Security staff watch discreetly from their established positions. 5–8 SECONDS — GREETING One of the staff members on the left of the entrance steps naturally toward the open driver’s door to assist him. The remaining four staff stay in the background. The man transfers his clutch to his left hand before greeting the attendant. They exchange one brief right-handed handshake, release their hands, and the attendant steps aside. The man turns toward the driver’s seat. 8–16 SECONDS — GETTING INTO THE CAR Keep the boarding action clearly visible from a medium-wide driver-side angle. The man turns his hips toward the seat, bends his knees, ducks his head, and lowers himself onto the driver’s seat. His oversized hairstyle brushes gently against the doorway, compressing slightly through physical contact without changing its design. He places the clutch on the passenger seat. He carefully brings his legs inside one at a time, turning each long shoe sideways and guiding its rigid pointed tip through the open doorway into the footwell. Make this the main gently comic moment, as in the original video: an eccentric, impeccably dressed man carefully fitting his unusual footwear into a low sports car. Both shoes visibly pass through the doorway. Neither shoes nor feet disappear, shrink, bend, or pass through solid bodywork. He draws his coat tails fully inside. 16–18 SECONDS — CLOSING THE DOOR Only after the man, both shoes, and his coat are completely inside, the attendant gently closes the driver’s door until it latches. The man faces forward and takes the steering wheel. The attendant steps clear of the vehicle. 18–20 SECONDS — DRIVING AWAY The Ferrari moves FORWARD slowly along the clear driveway, in the direction its nose is pointing. Its wheels rotate consistently with its movement. The camera pans naturally to follow the departure, ending on a rear three-quarter view with the red taillights visible. CAMERA One continuous natural handheld-style take, with smooth walking-speed tracking and restrained camera movement. Begin exactly from IMAGE 1, then move around the rear toward the driver’s side as the man approaches. Keep the character’s hairstyle and long shoes visible during the approach and boarding. Do not teleport the camera or change the layout of the location. AUDIO Realistic footsteps, quiet hotel ambience, subtle clothing sounds, a soft door latch, engine idle, and gentle acceleration. No intelligible dialogue, music, captions, or text. CONTINUITY Exactly one main character and five staff members; one of these five acts as the attendant. No additional people appear. The car remains stationary until the driver is fully inside, the door is closed, and the attendant is clear. Maintain realistic scale, anatomy, contact shadows, reflections, and physical interaction. No morphing faces, duplicated limbs, changing accessories, warped car panels, sliding feet, or objects passing through solid surfaces.

TITLE: "TRY THIS ROADSTER". A 28-second high-budget live-action car commercial, filmed for real on location by a professional crew with camera cars, a drone, a runway crane and an air-to-air camera jet. Shot on 35mm film: warm natural light, soft halation, fine grain, real motion blur, smooth stabilised moves with subtle handheld life. Every shot is at real-time speed with no slow motion, cut fast and punchy. The effects are flawless and invisible. Nothing looks digital or animated. ASSETS: - Roadster: the car, with the same shape, silver-white colour, scale and RDSTR plate in every shot. - Character: the woman, with the same face, hair and outfit throughout. - Racer: the man, an original racing driver in a plain white-and-silver race suit with no logos. - Interior: the cabin, left-hand drive, with her always seated on the left behind the yoke. - FlightFX: whenever the car hovers or flies, exactly four thin, semi-transparent white cold-gas vapour jets blow straight down from beneath it. They are soft and misty, with no glow and no flame. - Courtyard, Desert and Runway: the locations. Each scene stays strictly in its own location. Use every image for appearance only, never its background. PHYSICAL REALISM: the car is always lit by the scene's own sun, casts a real moving shadow, reflects its surroundings, and is a normal 4.5 m sports car in scale. The camera always physically moves with the action. SCENE 1, COURTYARD [0s-7s], location Courtyard (old stone college building, soft overcast daylight): [0-1.5s] LOW DETAIL: the camera glides past the car's front wheel and sculpted silver flank, with the two people walking toward it in the background. [1.5-3.5s] MEDIUM, OVER THE SHOULDER: Racer rests a hand on the car's roof, smiles and says, "Try this Roadster." Character, facing him, lights up and replies, "It looks amazing!" [3.5-5.5s] MEDIUM: she opens the driver's door, slides into the left seat and runs her hand over the yoke, admiring the cabin. [5.5-7s] LOW WIDE: the door closes with a solid thunk and the car starts with a soft electric hum. SCENE 2, DRIVE-AWAY [7s-8s]: LOW TRACKING on a leafy street. The car accelerates past the lens with a rush of air, a light smoky haze curling off the tyres toward camera. SCENE 3, DESERT CAMELS [8s-12s], location Desert (golden-hour highway, dunes, acacias): [8-9s] CHASE behind the car: about 12 real camels scattered naturally on and beside the road turn their heads toward it, and one groans. [9-10s] LOW REAR: the four vapour jets fire downward, smoke and sand billow out from beneath the car, and it lifts off the asphalt. [10-11s] LOW ANGLE among the herd: a camel's head fills the foreground. Behind it, the car flies overhead and completes one smooth barrel roll around its nose-to-tail axis, with thin vapour trails behind it. [11-12s] LOW REAR CHASE: the car lands softly on the road in a burst of smoke and dust and drives on. SCENE 4, STREET SWEEPER [12s-15s], suburban autumn street: [12-13s] MEDIUM WIDE: a tired street sweeper in an orange high-visibility vest stands beside a huge pile of leaves. The car hovers low beside the kerb, and she smiles at him from her open window. [13-15s] LOW GROUND: the jets blast the pile into a swirling cloud of orange leaves and vapour. It clears to reveal a spotless sidewalk and the sweeper laughing in amazement. SCENE 5, APPLE TREE [15s-17s], sunny green orchard: [15-16s] WIDE TRACKING: the car flies in low and hovers beside a big apple tree heavy with red apples, its jets rustling the grass. [16-17s] MEDIUM CLOSE-UP at her window: she reaches out, twists and plucks a shiny red apple, the branch springs back, and she smiles at it. SCENE 6, CABIN [17s-18s]: MEDIUM INTERIOR side profile. She drives with one hand on the yoke and a relaxed, happy smile, warm light streaming through the glass. SCENE 7, RUNWAY TO THE SKY [18s-28s], location Runway (golden sunset, unbranded white private jet): [18-19.5s] LOW WIDE: the car rolls on its wheels down the runway beside the jet, both accelerating, the jet's engines shimmering with heat. [19.5-21s] DETAIL with RACK FOCUS: the car's vapour jets blast down onto the runway, smoke billows out, its tyres lift, and focus racks to the jet's nose rotating up. [21-22.5s] WIDE: both lift off together and climb toward golden clouds. The car pulls ahead, vapour streaming continuously. [22.5-24s] CHASE: the car punches through a cloud and bursts out above a glowing sea of clouds. [24-25.5s] WIDE AIR-TO-AIR: six to eight real white geese glide in on both sides of the car, flying alongside it. [25.5-26.5s] TIGHT, SHALLOW FOCUS at her window: a goose in the soft foreground. She smiles and waves goodbye. [26.5-28s] HIGH WIDE: the car tilts its nose down and descends through the clouds toward the golden land below, vapour trailing. SOUND: real location audio only. Footsteps and dialogue in the courtyard, a door thunk and electric hum, a whoosh as the car passes, camel groans, the deep hiss and whoosh of the thrusters, leaves roaring, the sweeper's laugh, birdsong and an apple snap, a jet-engine roar, rushing wind, goose wing flaps and calls. No music, so it can be added in the edit. Avoid: slow motion, CGI, an animated look, a plastic look, the car changing shape or size, glowing jets, rocket flames, fire, an evenly front-lit or pasted-in car, missing shadows, a front flip, a backflip, the woman on the right, a round steering wheel, team or sponsor logos, real celebrities, cartoon animals, birds frozen in the air, a white or studio background, text, watermark.

Create an ultra-realistic cinematic sci-fi comedy video set on the neon-lit Las Vegas Strip at night during heavy rain. The main character is an attractive Korean adult woman in her mid-20s, wearing a modest black long-sleeved top, loose blue jeans, white sneakers, and a neatly wrapped black hijab covering her hair and neck. Maintain her exact appearance throughout. She drives a matte-black Tesla Cybertruck through heavy traffic when a gigantic sinkhole suddenly opens beneath the road. The truck launches into the air, performs a wild barrel roll above casino billboards, and sends her soda, burgers, and smartphone floating around the cabin. She panics as the Cybertruck crashes onto a giant inflatable dice display, bouncing dramatically before landing in a massive puddle. Water drenches nearby tourists. She casually adjusts her hijab, puts on her sunglasses, and gives a confident thumbs-up to a stunned security guard. Visual Style: Photorealistic Hollywood sci-fi comedy, cinematic camera movements, realistic rain, neon reflections, detailed vehicle textures, natural expressions, and spectacular action. Audio: Thunder, rain, traffic horns, cracking asphalt, floating objects, metallic impacts, and a huge splash. No background music. Negative Prompt: Cartoon physics, distorted vehicles, inconsistent character appearance, changing clothes, extra limbs, excessive motion blur, anime, subtitles, and watermarks.

CLAUDIA × SI — WHITE TESLA ROADSTER 🤍🚀 Real → anime in one take @imagine @anabology I tried to adapt Claudia into an anime style with @bot

Ultra-realistic cinematic action sequence featuring a young woman with long black hair wearing a black oversized graphic T-shirt and black boots, sitting outside a suburban house holding a miniature pink supercar. Suddenly, the toy car magically transforms into a full-size, ultra-realistic pink supercar and launches into the air, flying through a quiet residential street before transitioning into a dramatic Tokyo-style urban intersection. The woman appears inside the driver's seat as the pink supercar drifts aggressively through the city, spinning across the crosswalk with realistic tire smoke, spinning wheels, cinematic motion blur, and reflections on the asphalt. The car accelerates through the intersection, leaving thick white smoke trails, then slides dramatically toward a brightly illuminated Japanese convenience store. Cut to a wide cinematic shot of the car drifting outside the store as pedestrians react in surprise. Final scene: the woman walks confidently out of the convenience store entrance, surrounded by scattered groceries and glass reflections, while the pink supercar remains visible in the background.

Black screen. Text: “Elon’s Roadster flies. Ours doesn’t ask.” Underwater — black hull on the seabed. Low hum....

Create an ultra-realistic cinematic sci-fi comedy video set in rainy Times Square, Manhattan, at blue hour. Heavy traffic, yellow NYC taxis, glowing billboards, wet streets, and neon reflections create an authentic New York atmosphere. A stainless-steel Tesla Cybertruck is stuck in gridlock. Inside, an impatient male driver wearing a charcoal jacket and rectangular glasses presses a mysterious button. Powerful blue-white jets lift the Cybertruck above traffic, triggering zero gravity inside the cabin. His coffee, documents, laptop bag, pastries, and glasses float around as he panics comically. The Cybertruck performs a dramatic aerial barrel roll above Times Square before descending uncontrollably. Gravity returns, coffee splashes across the driver's face, and the Cybertruck crashes onto the roof of a stationary yellow taxi, crushing it. The stunned taxi driver climbs out and stares in disbelief. The Cybertruck's rear lights blink once before a cut to black. Visual Style: Photorealistic live-action sci-fi comedy, cinematic camera movements, realistic rain, volumetric mist, detailed vehicle materials, dramatic lighting, neon reflections, and natural facial expressions. Audio: Heavy rain, traffic horns, engine rumble, mechanical clicks, powerful jets, floating objects, coffee splashes, metallic crunch, and cracking glass. No background music. Negative Prompt: Cartoon physics, distorted vehicle geometry, inconsistent characters, unrealistic reflections, excessive motion blur, anime, subtitles, logos, or watermarks.

Create a hyper-realistic cinematic sequence featuring a stylish young woman with long dark hair wearing a black graphic mini dress and black boots, alongside a sleek pastel-pink luxury supercar with black wheels and red leather interiors. Scene 1: The woman sits outside a modern building, carefully controlling a miniature pink supercar with her hands. The miniature car suddenly comes to life and transforms into a full-sized luxury supercar. Scene 2: The pink supercar launches onto a busy Japanese city street, drifting aggressively through an intersection. Capture realistic tire smoke, spinning wheels, dynamic tracking shots, and cinematic motion blur. Scene 3: Show low-angle shots of the car speeding past storefronts, followed by close-ups of the glossy pink bodywork, black rims, and the woman confidently driving inside the red leather interior. Scene 4: The car performs a dramatic drift across a neon-lit city intersection at night, filling the street with tire smoke as the camera captures wide cinematic shots and detailed close-ups. Visual style: Photorealistic live-action, premium automotive commercial, realistic physics, natural reflections, dramatic lighting, smooth camera movement, shallow depth of field, crisp details, 4K cinematic quality. Maintain consistent character appearance and car design throughout. Avoid cartoonish visuals, CGI-looking textures, and unnatural movements.

Create a 25-second photorealistic cinematic comedy with synchronized English dialogue. REFERENCE ASSIGNMENT Image 1: the man's exact identity, face, hairstyle, athletic physique, clothing and shoes. Image 2: the woman's exact identity, face, physique, evening dress, accessories and hair color and length. Her hair begins visibly wet. Image 3: the authoritative reference for the Tesla's exterior and the entire location: car design, color, wheels, parking position, building, street, dusk lighting and camera environment. Image 4: reference ONLY for the car's 80-degree sideways tilt, exposed underbody, four vapor outlets and the light emitted from those same outlets. Keep the exterior of the car from Image 3. Maintain these identities and designs throughout. Use the reference images as visual guidance, never display them as a collage. OPENING AND SETTING The scene starts immediately beside the parked Tesla. Both characters are already standing on the asphalt beside its street-facing side, close enough to argue. The woman stands about 1.5 meters away from the car; the man stands within arm's reach of its side sill. Match the New York evening street in Image 3: warm windows, amber streetlights, cool dusk ambience and realistic reflections on the car. The Tesla is initially upright and parked parallel to the curb. Start directly with the argument. No introductory street shot, walking toward the car, arrival sequence or opening titles. TIMELINE 0.0–3.0 seconds — IMMEDIATE VISUAL HOOK Begin with a tight medium shot of the angry woman beside the Tesla, its bodywork clearly visible behind her. She holds up a wet strand of hair and snaps: WOMAN: “My hair is WET!” Immediately cut to a low, wider angle: the man reaches down with his LEFT hand, grips the street-facing side sill and casually begins lifting that side of the Tesla. By the end of the third second, both street-facing tires are visibly several inches off the asphalt. Both curb-side tires remain on the ground. His absurd strength is instantly readable. 3.0–7.0 seconds — THE ARGUMENT CONTINUES Medium two-shot. The man holds the car at this small initial tilt with his left hand while looking at her with mounting irritation. The woman is focused on her wet hair and continues angrily: WOMAN: “I can’t go to the party like this! My hair is wet!” She gestures toward her head. Her hair is still wet, flat and separated into damp clumps. Preserve her reference dress and appearance. 7.0–10.0 seconds — HIS RESPONSE Cut to a tight close-up of the man's irritated face. His supporting left arm remains extended toward the car, consistent with the previous shot. He looks at her and says in a blunt, annoyed voice: MAN: “Now we’re going to dry it.” Hold his expression briefly, then cut back to the wider action. 10.0–14.0 seconds — LIFT AND REMOTE In a clear wide shot, he continues the SAME lift with hi

Imagine @Image1 racing in the new Tesla Roadster rocket against Formula 1 cars at Monaco 🇲🇨 and winning the race by lapping all other cars